Posted by: anonym | March 11th, 2010 |
We've reviewed a couple of different students work as well as some famed artists work in my photography course, and a lot of it just doesn't make sense to me. I know some people are trying to do new things and work conceptually, but I end up seeing a lot of this stuff without an artist statements and it makes no sense. Am I artistically challenged? I used to be good at this stuff, and now I just think the lot of it is rediculous.
What would you consider more important, a picture with a phenomenal subject but iffy execution, or a spectacularly beautiful picture to look at, but the subject isn't all that good?
I tend to lean towards visual appeal, and I think that's a big reason why I don't get 'art'.
That is why i like more concrete fields -why i like photojournalism like the wonderful (depressing) series someone linked to about the child with cancer. That is why i'm in architecture - it makes sense. Granted you can be the Frank Gehry type who breaks the rules -- but then your buildings leak, drop deadly ice on people, etc. There is a balance of design and function - and the reality of creating where people live, work, everything almost it seems some times.
I just think art is inherently inward -most people don't see art at all but for the classic reproductions. So artists turn to each other -their interested audience. And hope to god they find a chord with the greater masses???
If your curious to read this::
http://www.itsartmag.com/features/dfa/DigitalFineArtMarket-page1.html
It is really true of how art is. It is a discussion about digital art and how it has every merit of fine art but is discluded from being 'fine art' because of rarety.
The more you study and create art the more you will understand. Of course there is work out there that you do not like. Stay focused on your work and the work that inspires you. That is the best way to "get art".
Love & Bass
I think that sums it up pretty well. I definetely know my own personal tastes, and they tend to reside in the documentary side of photography, rather than the conceptual.
I just tend to see the majority of my classroom all agreeing that one thing is interesting, and I'm sitting over here scratching my head wondering what they see in it. I've always been overly critical of both abstract and conceptual art, so that might be where the confusion comes from.
I don't.
I may very well be severely artistically challenged!
Actually, I am pretty sure that I am.
To me, only the WORK its self matters. The rest is just blah blah blah.
The WORK either touches me, or it doesn't. What people have to SAY about it? I can't imagine caring less.
I do listen to people such as art historians who explain symbolism in older works that I may not understand today. For example, I will learn about the heroic stories that are being represented in art that were common knowledge at the time the art was produced that would be common knowledge to both the artist and the public, but not necessarily to us in the 21st century... works like those showing stories from the Golden Legend (clicky) (http://en.wikipedia.org/wiki/Golden_Legend) which were as common knowledge to people of the middle ages as American Idol is to us.
But as to listening to what others have to say about critiquing works of art today? Not interested. The art its self either works for me, or it does not.
But most of it is crap.
Viewing "Art" in large quantities tends to dull the sences to art in general leaving the majority in the crap depaetment, I know this feeling.
Years later, I read the same kinds of Lit. and I see connections to old styles and techniques, variations of previous artists and references to them, subtle hints, hidden themes etc. Sometimes these may not be intended by the author, but the vast majority of quality lit. is purposeful and directed and brilliant in its conception. I think the same can be said with a lot of art forms...there is the theory, which really IS the foundation.
Having said that - theory does not an artist make!
I know exactly how you feel and some very good points have been made on the subject here.
I think RyanLilly put it best, "...every once in a while, something will capture my attention out of the corner of my eye, and all I can say is "wow." When a piece triggers an emotional response, and when that piece draws my attention enough to make me pause and look at it, even if for a moment every time I walk past, I know that is good art."
Well said. :thumbup:
But most of it is crap.
Someone posted a thread a few weeks back of an "artist" who had taken pictures of billboard and sold these enormous prints for something like 3.4 Million big ones. I do understand that no one had done it before, but It's still pretty disgusting.
One mans junk is another mans treasure.
"art" is WAY to open to be a matter of personal opinion. It is what it is. What makes it that way, who knows, but YOU will know, when you see it.
What would you consider more important, a picture with a phenomenal subject but iffy execution, or a spectacularly beautiful picture to look at, but the subject isn't all that good?
I tend to lean towards visual appeal, and I think that's a big reason why I don't get 'art'.
I'll answer you quesstion for my POV
I was the one who featured this months featured artist on FAC (http://www.fanart-central.net/user-zakkusu.php) - Exelent execution of seriously twisted and odd subjects.
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